Shiva and his wife, Parvati, as the divine couple known as Umamaheshvara. Taken from Met Museum 11th century.

The paring of Shiva and his wife, Parvati, as the divine couple known as Umamaheshvara, is a popular image in Shaivism. In this ensemble, the couple’s gestures and gently flexing torsos create a mood of great tenderness. They are alone, without Shiva’s calf-bull or their children Skanda and Ganesha, who are often represented.


The form of the trident—the main weapon of the Hindu god Shiva—dramatically and elegantly encircles his form in which the left side is female and the right side is male. The male side has the matted locks of a yogi piled high on his head; he holds an ax and leans on his mount, the bull. The female side has a jeweled crown, earring, full breast, broad hips, long skirt, and only one arm. The lower hands probably held a stringed instrument. This particular iconic form of Shiva visually indicates that he embodies all phenomena, even if they seem contradictory. He is male and female, destructive and creative, yogi and royal sovereign, hunter and musician.

Trident with Shiva as Half-Woman (Ardhanarishvara). Taken from Cleveland Art, South India, Tamil Nadu, Chola period (900-13th Century) .

Shiva as Lord of Music. Taken from Cleveland Art Chola period (900-13th century).

After he created the world, Shiva manifested himself in a variety of ways, each of which emphasized a different aspect of his all-encompassing, complex personality. As Lord of Music, he is serene and beneficent. He holds a stringed instrument called the vina, which is missing in this example, but the fingers of his lowered hands are in the position of playing it. His other two attributes in this form are the axe and the rearing antelope, which references knowledge of the Vedic texts, which are the foundational books of the Hindu religion. Music was considered to be an essential component of sacred learning, and its rhythms reflect the structures of the ongoing creation of the universe.


In an exuberant dance posture with eight arms, Shiva is shown here in his wrathful aspect, with disheveled hair, bulging eyes, and fangs. He has just successfully flayed the skin of an elephant demon and triumphantly stretches it out behind him, its two hind feet sticking up at the right corner of the panel. The elephant in rut, in its demonic form, was used as a metaphor for uncontrolled passions that Shiva helps to conquer in the mind of the devotee, so that the devotee can better focus his attentions on the god himself. In the lower left corner, a dwarfish member of Shiva's entourage beats the rhythm of the dance on his drum. His wife, the goddess Parvati, looks on with admiration.

Shiva as Slayer of the Elephant Demon (Gajasura). Taken from Cleveland Art, South India, Tamil Nadu, early Chola Period, 11th century .

Don't go uninvited

The saying, "never visit uninvited" anyone's place, even if it's your father's or the most loved one's, has wisdom behind it. We can find instances supporting this belief in our ancient religious texts, such as the Shrimad Bhagavata Mahapurana. This revered text recounts a story involving Goddess Parvati and her consort, Lord Shiva. Parvati, also known as Giriraj Kishori, was an incarnation of Sati, the daughter of Daksha Prajapati. Daksha was the son of Lord Brahma, the creator of the universe. The divine trinity—Brahma, Vishnu, and Mahesh (Shiva)—are responsible for the creation, maintenance, and destruction of the universe. Sati held a deep love for Lord Mahesh and longed for him to be her consort. After immense penance, her wish was granted, and they married in her present life. However, Daksha harbored a strong resentment towards Lord Mahesh.

On one occasion, Daksha organized a sacred ritual (yagna) at his residence and invited other gods and their spouses. However, he purposely excluded Lord Mahesh and Sati, despite them being his daughter and son-in-law. Sati learned about the event from others and requested Lord Shiva's permission to attend. Lord Shiva denied her request, saying, "One should never visit anyone uninvited." Despite his advice, Sati went to her father's home, only to be met with a cold reception. Distraught by her family's behavior, she took her own life by jumping into the sacred fire. Upon hearing the tragic news, Lord Shiva was consumed by anger. He created Veerbhadra, who avenged Sati's death by killing Daksha Prajapati.

The moral of this story, which is detailed in chapters 1-5 of Skanda 4 of the Shrimad Bhagavata Mahapurana, is to never visit any place uninvited.